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Nadia Tass (born Tassopoulou or Tassopoulos; ), is an Australian and and . She mostly makes films with her writer-producer husband David Parker, through their production company Cascade Films. Tass is known for the films Malcolm (1986) and The Big Steal (1990), as well as an extensive body of work in the theatre, both in Australia and internationally.


Early life and education
Nadia Tassopoulou (or Tassopoulos) was born in the village of , near , in Macedonia, northern . Aged eight, she moved with her parents to , Australia, in 1966. Her original surname is Tassopoulos. She has some Russian heritage.

She had her first acting role aged 14, in the police drama series Division 4.

Tass studied psychology at the University of Melbourne, and while there became interested in theatre, including works by students at the Victorian College of the Arts (VCA). After doing some theatre directing, she went to to learn technical aspects of filmmaking. In the 1980s she took a course in the Stanislavski method of acting, in , and also later attended a film school in New York City.


Career

Acting
Tass started her career acting in the first season of television drama series Prisoner in 1979, playing Tessa Zervos, returning in 1983 to play a solicitor. She started directing works in Melbourne theatres around the same time. She has said that she loves working with actors, and her acting experience and training has informed her directing style.


Filmmaking
Tass has made many films with her husband and business partner, filmmaker David Parker, who has written, co-produced, and shot many of her films. They established Cascade Films in 1983, and co-produce their films.

Her debut as a director, was Malcolm, which she co-wrote with Parker. After Australian distributors were uninterested in the film, Tass, Parker, and collaborator Tim White took it to the United States, where there was a bidding war for it. Released in 1986, the film proved to be a critically acclaimed and box-office hit, winning 21 international awards and 8 Australian Film Institute Awards, including Best Film and Best Director.

In 1988, with the backing of in the US, Tass directed and co-produced the comedy Rikky and Pete, which was again successfully around the world. The following year, she directed and produced The Big Steal (released in 1990), which won three and was nominated for six AFI Awards, as well as being an international hit.

Other feature film works by Tass include Mr. Reliable (1996), which won three AFI Awards; and Amy (1997), starring and , which won 23 international awards.

Her first and only theatrical film directed in the United States was , produced for Universal Pictures and starring and . It was released in August 1991.

In 1993, she produced the TV miniseries Stark, based on the bestselling novel by , which was later also released as film.

From the 2000s, Tass directed several telemovies in the US, including The Miracle Worker (2000), (2001), Undercover Christmas (2004), and (2005). Child Star: The Shirley Temple Story was an American Broadcasting Company TV film production of 's autobiography of the same name. Filmed by Parker, the film stars Ashley Rose Orr as Temple, Emily Anne Hart as teen Shirley, , , and . It was filmed in . She directed , a 2012 telemovie, produced by US cable channel Lifetime, starring . Tass has directed films and TV series for the , , , Universal Studios, and .

, about a mother's search for a potential donor for her son with , was shot by Parker. It premiered at the Melbourne International Film Festival in July 2010.Gonzalez, Miguel. "Matching Jack: Nadia Tass, hard to match", Encore, 24 2010

Oleg: The Oleg Vidov Story (2021), written by Cory Taylor, , and Vidov, is a feature documentary about the Russian actor and filmmaker ("the Russian "), who from the and went to the US in 1985, after being targeted by the Russian government led by . The film is narrated by Scottish actor Brian Cox, with playing Oleg in flashbacks, and features interviews and archival footage with , , Arnold Schwarzenegger, , Milena Dravic, Mikhail Baryshnikov, and others. It had its world premiere at the Moscow International Film Festival in April 2021, and its Australian premiere at in in August 2021. Tass had been friends with Vidov in the US, and owing to her Slavic heritage felt some connection to Russian culture, and both wanted to show some of the richness of that culture, but also the "criminals" who led the USSR. The film was screened on SBS TV and streamed on SBS On Demand from June 2021.

She has said about the process of filmmaking with her husband:


Theatre direction
Tass has an extensive history of successful theatre direction with a diverse range of works, including both classical and contemporary theatre at La Mama, the , Playbox, the Melbourne Theatre Company, and the Open Stage Theatre at the University of Melbourne. Early works include productions of The Merchant of Venice, Macbeth, numerous plays by including Medea, and by including Lysistrata, 's The Birds, Three Sisters, and Blood Wedding by Federico Garcia Lorca. In later work, Tass directed This Effing Lady by Maureen Sherlock at the Brunswick Ballroom (2021) and Wicked Sisters by Alma De Groen for in Sydney (2020).

Tass' 2002 production of The Lion, The Witch and The Wardrobe, an adaptation of C.S. Lewis' novel with the script written by Parker, toured Australia. It was well-reviewed, and garnered her a nomination for Best Direction of a Musical.

In 2016, Tass directed the production of Jane Cafarella's for its Sydney premiere.

In 2016 Tass directed by Ayad Akhtar for the Melbourne Theatre Company (MTC), Extinction by for /GPAC, and The Book Club for AKA in London and Melbourne. Also in 2016, she directed an adaptation by Annie Baker of by , for Red Stitch. Parker did the stage lighting for the production.

In 2018 Tass directed 's Sorting Out Rachel for Sydney's , followed by Marisa Smith's Sex and Other Disturbances for Portland Stage in , US; and Ear to the Edge of Time by at The Seymour Centre in Sydney. Arts Hub review

She directed Fern Hill by Michael Tucker for New Jersey Rep in 2018 and 2019 in and New York City.

Also in 2019, she directed Masterpieces of the Oral and Intangible Heritage of Humanity by Heather McDonald, a finalist, for Signature Theatre in Washington, D.C. DC Metro review MD Theatre Guide review Talkin' Broadway review


Other roles
Tass has presented masterclasses around the world. She regularly lectures at the Victorian College of the Arts (Melbourne), and at Deakin University, where she is an adjunct professor, and has taught at Beijing Normal University, Yunnan University, , Chongqing University, and Beijing Film Academy.

She has been a member of the board of the Australian Directors' Guild, and is a member of several professional associations, including the Directors Guild of America; the Screen Producers Association of Australia; the Australian Film Institute; and the Australian Academy of Cinema and Television Arts (AACTA). She is also patron of the .

Tass has been appointed to the juries of many film festival juries, including:

  • Hawaii International Film Festival – for judging of main awards 1988
  • St Tropez Film Festival – head of jury 2008
  • Asian Festival of First Films – 2008
  • Pune International Film Festival – head of jury 2012
  • Directors Guild of America (DGA) – documentary jury 2021
  • – jury chair 2021
  • AACTA – International chapter juror annually


Honours and recognition
Tass' films have earned over 70 international awards and 23 Australian Film Institute (AFI) nominations, while garnering nine wins including Best Film and Best Director. Her films that have awards and nominations include, most notably, Malcolm (1986); Amy (1997); The Miracle Worker (2000); and (2010).

In theatre, The Lion, The Witch and The Wardrobe (2003) earned a nomination for Best Direction of a Musical in the .

In 2017, The Big Steal was screened at the Melbourne International Film Festival as part of Pioneering Women, a section dedicated to Australian women filmmakers of the 1980s and early 1990s.

In 1986 Tass was the second female director, after Gillian Armstrong in 1979, to win the AFI Award for Best Director (for Malcolm).

In 2024, was voted no. 2 in 's "Top 10 Buddy Cop Movies of All Time".


Personal awards
She has also been honoured with several personal awards, including:
  • Screen Leader Award for Outstanding Leadership, Achievement and Service to the Screen Industry (2014)
  • Byron Kennedy Award, with David Parker, "for their fiercely independent approach to filmmaking" (1986)
  • Australian Hellenic Award for Excellence (1987)
  • Hellenic Award for the Arts (1999)


Retrospectives
Tass has had the breadth of her film work presented internationally as retrospective events, including:
  • American Cinematheque in (2012), which travelled across the US
  • , India (1997)
  • and , South Africa (1994)
  • Moscow Film Festival, Russia (1990)
  • Hawaii International Film Festival


Filmography (as director)

Feature films
  • Malcolm (1986)
  • Rikky and Pete (1988)
  • The Big Steal (1990)
  • (1991)
  • Stark (1993) (feature cut)
  • Mr. Reliable (1996)
  • Amy (1997)
  • (2004)
  • (2005)
  • (2010)
  • (2012)
  • (2016)
  • Oleg: The Oleg Vidov Story (2021)


Films for television
  • The Miracle Worker (2000)
  • (2001)
  • Undercover Christmas (2003)
  • Custody (2007)


Others
  • Stark (TV miniseries 1993)
  • Isolation Restaurant (short film, 2020)


Theatre
Theatrical productions directed by Tass include:
  • This Effing Lady by Maureen Sherlock (2021) AKA, Brunswick Ballroom
  • by Alma De Groen (2020) Griffin Theatre Company
  • Fern Hill by Michael Tucker for New Jersey Rep (2018 & 2019)
  • Masterpieces of the Oral and Intangible Heritage of Humanity by Heather McDonald (2019) Signature Theatre
  • Ear To The Edge Of Time by Alana Valentine (2018)
  • Sex and Other Disturbances by Marisa Smith (2018) Portland Stage Company
  • Sorting Out Rachel by David Williamson (2018) , Sydney
  • Uncle Vanya by , adapted by Annie Baker (2016) Red Stitch Actors Theatre
  • by Jane Cafarella (2016) Ensemble Theatre
  • by Ayad Akhtar (2016) Melbourne Theatre Company
  • by Hannie Rayson (2016) GPAC, Red Stitch Actors Theatre Extinction, Red Stitch
  • The Book Club by Roger Hall (2016) AKA, Melbourne & London productions The Book Club, AKA
  • by Annie Baker (2014) Red Stitch Actors Theatre The Flick, Red Stitch
  • The Other Place by Sharr White (2013) Melbourne Theatre Company The Other Place, MTC
  • Promises, Promises by (2012) The Production Company Promises, Promises, The Production Company


External links

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